Friday, SEptember 18
ADMINISTRATION AND HUMANITIES BUILDING
UNIVERSITY OF ALASKA, ANCHORAGE
| 9:30am | Check-In for Optional Friday Morning Workshops in ADM 100L1 (Admin lobby) |
| All Day | 1-on-1 Manuscript Critiques | Admin 145 |
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10:00am - 12:00pm |
Workshop 1: Erick Mertz Self-Publishing Success: What Worked, What Didn't, What I'd Do Differently Location: TBA Self-publishing offers more opportunities than ever—but success requires far more than simply uploading a manuscript. Drawing from years of publishing his own paranormal mystery novels, the presenter walks attendees through the essential building blocks of a professional book launch, including editing, cover design, production, and connecting with readers. Blending real-world experience, practical strategies, data, and humor, this class highlight common pitfalls, proven best practices, and the lessons learned through years of trial and error, giving writers a clear roadmap to publish with confidence. |
| 10:00am - 12:00pm |
Workshop 2: Jenny Xu How to Find a Structure for Your Book Location: TBA In this two-hour intensive, we will explore the range of containers available for your writing, and how you can determine what shape your work would like to take. We will evaluate work internally and externally—digging into the forms occurring organically within the work, while considering what an audience may be most interested in, and discuss how your work might balance these two impulses. This class will also include a writing exercise and revision prompts, with discussion around select pieces. |
| 10:00am - 12:00pm |
Workshop 3: Dawn Alexander Beyond the Bedroom: Using Physical and Emotional Intimacy to Create Authentic Character Relationships Location: Admin 148 Creating authentic character relationships is essential in every genre—whether you're crafting a swoon-worthy romance, developing a fierce rivalry, or building a deep friendship. In this interactive workshop, we'll explore how to layer both physical and emotional intimacy from first glance to "Happily Ever After." You will leave with a clear guide for developing believable relationships that resonate with readers and create a deeper emotional engagement with your story. |
| 11:45am |
Optional Lunch Available in ADM 100L (Admin lobby) please pre-pay for Friday's lunch on your conference registration |
| 12:30pm - 2:30pm |
Optional First Pages Roundtable Reviews with Jenny Xu, Maggie Cooper, and Sean McCarthy Location: Admin 142-148 |
| 2:30pm | Check-In for Optional Friday Afternoon Workshops (in Admin Lobby) |
| 3:00pm - 5:00pm |
Workshop 4: Maggie Cooper The Art of Query Location: Admin 142 In this workshop, we’ll dive deep into what makes a query letter, breaking down each of its component parts in order to understand how writers can best position their work for prospective agents and publishers. We’ll study examples of successful queries, consider what agents are looking for in a query package, and conclude with some “do”s and “don’t”s to guide writers in the submission process. Whether you’re just starting your query or already have a draft in hand, we’ll spend some of our time together on a few exercises designed to help you on your way to a polished letter. |
| 3:00pm - 5:00pm |
Workshop 5: Sean McCarthy When Reality Bites: Best Practices for Revising Your Work Location: Admin 144 |
| 3:00pm - 5:00pm |
Workshop 6: Angela Ackerman
Hidden Emotion & Subtext: Making Dialogue Crackle with What Isn't Said Location: Admin 148 Stories unfold on two levels: the surface, where events inform the reader, and then beneath, where the author’s carefully placed hints allude that something else is going on. This is subtext, a powerful tool that turns readers into active participants, inviting them to piece together the bigger picture. One of the most important forms of subtext is hidden emotion, because just like people, characters aren’t always forthright; what they say and what they feel can be very different. This session delves into how to show hidden emotion, with a special focus on dialogue, since conversations are the best way for subtext to be deployed. |
Saturday, SEPTEmber 19
ADMINISTRATION AND HUMANITIES BUILDING
University of Alaska, Anchorage
| 8:00 - 8:30am | Conference Check-In ADM 100L1 (Admin lobby) |
| 8:30 - 8:50am | ConocoPhillips Lecture Hall: Welcome and Awards |
| 8:50 - 9:30am |
Erick Mertz The Long Way Around: Experience, Voice, and Meaning in the Age of Shortcuts Location: Admin 142 Writers have never had access to more tricks and shortcuts than they do today. With abundant technology—from AI to algorithms—shaping nearly every part of our world, the moment has never been better to slow down, build real community, lean into lived experience, and take the long way around to a writing life that lasts. Rather than offering hacks or quick fixes, this keynote focuses on the steady, human work of becoming a writer: writing badly at first, learning in both public and private, borrowing belief from the community when your own runs low, and trusting that pages—real pages—are what slowly build skill, confidence, and voice over time. |
| 9:30 - 9:40am | BREAK |
| All Day |
1-on-1 Manuscript Critiques
| Admin 145 Author's Corner| Break Alcove Here's your opportunity to share your writing or to discover local authors. Sign up for a 15 minute reading slot, or stop by and listen. E-mail lizzienewellscifi@gmail.com if you’re interested in reading. |
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9:40 - 10:40am
BREAKOUT SESSION 1 |
Conoco Phillips 120 | Admin 142 | Admin 144 | Admin 148 |
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Maggie Cooper An Introduction to Literary Agents In this seminar, we’ll explore the role of agents in the literary landscape: what they do, how they work, and whether you need one to achieve your publishing goals. With that foundation in place, we’ll discuss how writers can research potential agents, the basics of the query process, and the importance of finding the right fit. By understanding how agents and writers work together to get books into the hands of readers, participants will leave this session with a fuller understanding of the literary landscape—and practical insights to apply along their own publishing path. |
Angela Ackerman Fear is more than something a character feels in a tense moment—it’s the force shaping their thoughts, decisions, and behavior throughout the story. In this session we explore how fear acts as a psychological trigger, rewiring perception and logic to prompt the character to restore safety through an instinctive response: fight, flight, freeze, or fawn. We’ll also look at how fear drives deeper behavioral patterns like avoidance, control, perfectionism, and self-sabotage. These habits influence how a character handles conflict, risk, and ultimately, whether they grow toward something better, or remain stuck. |
Jennifer Booz Many writers, especially those from marginalized identities or historically underrepresented backgrounds, carry a sense of doubt about whether their voice, experience, or perspective “belongs” on the page. This session explores how imposter syndrome, internalized bias, and systemic narratives shape the writing process, often leading to self‑silencing or hesitation in sharing work. Blending writing craft strategies with DEI‑informed insight, this session helps participants understand the roots of creative doubt and develop tools to write with greater confidence, authenticity, and authority. Writers will leave with renewed clarity about the value of their lived experience, strengthened confidence in their narrative voice, and skills to move through self‑criticism, fear, and invisibility to create work that feels truthful and unapologetically their own. |
Sean McCarthy In this craft-oriented session, we will examine character development, plotting, structure, and transformation (using real-life examples from a couple of picture books). We will also discuss how to entice a young reader with a memorable opening, and how to keep your book on track. |
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| 10:40 - 10:50am | BREAK | |||
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10:50 - 11:50am BREAKOUT SESSION 2 |
ConocoPhillips 120 |
Admin 142 | Admin 144 |
Admin 148 |
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Alaska Romance Writers Panel TBA |
Jenny Xu |
Erik Mertz Turning your passion for writing into a sustainable career requires more than talent—it requires strategy. Whether you're considering freelancing or trying to build a business that actually pays the bills, this workshop provides a practical roadmap for balancing creativity with financial success. Drawing on nearly two decades as a professional ghostwriter, editor, and author, the presenter shares the lessons he's learned about finding clients, setting priorities, managing your time, and creating multiple income streams without losing the joy of writing. Through candid stories, practical advice, and plenty of humor, attendees will leave with clear, actionable steps for building a freelance writing career that is both creatively rewarding and financially sustainable. |
Lucas Elliot Have you ever wondered what it takes to make it as a traditionally published illustrator in today's market? Have you ever felt that you don't have what it takes or just feel frustrated by the process? Come and listen to Lucas Elliott's many year journey of creating, selling at local venues, visiting comic cons across the country, and selling his work at markets to finally getting an agent and illustrating an entire graphic novel that will be released in August of this year! Come and be inspired by his journey to success and hear about some of the things he learned along the way. |
| 11:50am - 12:50pm | Lunch Available in Lobby | |||
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12:50 - 1:50pm BREAKOUT SESSION 3 |
ConocoPhillips 120 |
Admin 142 | Admin 144 | Admin 148 |
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Maggie Cooper When we talk about books, we often find ourselves turning to comparisons—”for readers of X” or “Y meets Z.” In this session, we’ll unpack what comparable titles are and how they are used by agents, publishers, and booksellers. Then, we discuss strategies for writers to identify the “comps” for their book, touching on common pitfalls, frequently asked questions, and tips for making the most of comparable titles in query letters and beyond. |
Angela Ackerman Characters will face plenty of challenges and obstacles in the story, and a big influencer on their ability to come out ahead is how well they control their emotions. Join Angela as she shows you how to embrace your inner evil and unleash emotion amplifiers that increase the character's volatility in the moment, so they make plenty of missteps and mistakes. |
Erik Mertz Every unforgettable memoir begins with the right question. In this interactive workshop, you'll learn how to move beyond dates and facts to uncover the memories, emotions, and defining moments that transform a life story into a compelling narrative. Whether you're writing your own memoir or interviewing someone else, you'll leave with practical techniques and powerful questions that reveal the stories people didn't even know they were waiting to tell. |
Sean McCarthy Everything in its Right Place: An Overview of Agenting and Publishing |
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| 1:50 - 2:00pm | BREAK | |||
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2:00 - 3:00pm
BREAKOUT SESSION 4 |
ConocoPhillips 120 |
Admin 142 |
Admin 144 | Admin 148 |
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Dawn Alexander |
Jenny Xu Whether you have a book deal or are looking ahead to working with an editor in any capacity, from developmental editing for a submission to working with a writing group, this is a talk about what to expect and ask for when being edited. We will talk about the different forms feedback can take, and how you know when you are ready to be edited—and how to make an editorial partnership as fruitful for your project as possible. |
Basil Sands Audiobooks have jumped tremendously in popularity over the past decade and seem to be on a every growing trajectory. Millions of readers everyday are pouring even more books into their minds by listening to them as audiobooks during times they cannot physically read, adding many more hours of reading pleasure every day. If you want to know how to get your book into the audiobook marketplace, or even how to become an audiobook narrator yourself, this session will give you the basics for how to jump in. |
Kari Martindale Writing Poems Inspired by Visual Art Ekphrasis is a device whereby poems are inspired by Visual Art: paintings, sculptures, photographs, etc. Poems can be descriptive or take more figurative forms. Join an ekphrastic poet in finding inspiration from visual works of art and pairing it with your own words. Whether you’ve never written a poem or you’re a seasoned poet looking for fresh inspiration, you’re welcome in this class! |
| 3:00 - 3:10pm | BREAK |
| 3:10 - 3:50pm | ConocoPhillips Lecture Hall: Industry Panel Discussion |
| 3:50 - 4:00pm | ConocoPhillips Lecture Hall: Closing Announcements |
| 4:00 - 5:00pm | Author Book Signing and Mingle in ADM 100L1 (Admin lobby) |
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